Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts

Friday, December 11, 2009

femme fatale

Postscript from email to J, 30 October 2008.

FYI, I am attaching a link, with photo, regarding my malignant narcissist vampiric nemesis former boss... Did I mention that I didn't like her?

***
Note from journal scrawl of early morning 10 December 2009.

It's uncanny to me how my malevolent old boss looks like the Mona Lisa , in the photo where she's standing by the window overlooking the lovely magical public building like a palace behind her. I don't want to find the image of the Mona Lisa - Da Vinci's that is - to be malevolent. Yet he saw & understood something & he captured it.

***

From a discussion on the comments thread of the magia posthuma blog:

"... Roger Ebert said... "To watch F.W. Murnau's Nosferatu (1922) is to see the vampire movie before it had really seen itself. Here is the story of Dracula before it was buried alive in cliches, jokes, TV skits, cartoons and more than 30 other films. The film is in awe of its material. It seems to really believe in vampires."

Me: Apropos... Ebert's trenchant observation, I greatly enjoyed reading a scholarly and very stimulating book entitled, The Living Dead: A Study of the Vampire in Romantic Literature, by James B. Twitchell (Duke University Press)... The book centers on the influence of the vampire legend on Romantic literature, and is full of fascinating analyses and detail.

Here is but one thought-provoking example, a quote from the 19th century English critic Walter Pater, with which Prof. Twitchell begins the chapter, "The Female Vampire":

"[The Mona Lisa] is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all 'the ends of the world are come,' and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for one moment beside one of those Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed. All the thoughts and experience of the world have etched and molded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the mysticism of the Middle Age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave."

Tuesday, October 13, 2009

Perspectives of Alice

My mind has been very unquiet lately, hence the lag in posting. I have so many thoughts running through my head. It's 8am now and I'm going to give myself 30 minutes of typing fast, no editing, to write a post and then I have to run.

I took this photo on Saturday at the Hudson Opera House. There was a gallery talk by the creator of a newly illustrated version of Alice in Wonderland, with dolls. An exhibit of the dolls was on display. I'm sorry I missed the talk.

Just this past week I had been thinking about what if I had a small scale replica of my own house. It could sit on a table, in cross-section, fully furnished, and I could look at my own house, in miniature.

I spend a lot of time in my house, but I don't feel like this image of Alice. Indeed I feel pretty freed up since I have a nice volume of space in my house. I can move from room to room, the ceilings are high, and there are four exposures. Sometimes I feel as though I'm in a wood sailing ship.

If my house were my mind, then it's colorful and it has many rooms.

The times I have felt like this image of Alice - cramped, constrained, trapped, contained - was during years that I was chained to a cubicle on the 19th, 38th, or whatever floor of a Manhattan office building.

Michael Moore was on Charlie Rose yesterday. He said that he will stop making documentaries if things don't change in this country, if there isn't a revolution of sorts. He's tired of swimming upstream, being seemingly the only one showing the rest of us How The Lie Works. He shows us, and it's up to the rest of us to say something about it and change things. He said the only "democracy" part of our democracy is showing up every couple of years to pull levers, pretty meaningless, and otherwise we have little control.

I've felt reticent about blogging the last few days because I actually feel very angry about the vampire I posted about a few days ago. In a way I don't know what to do about the anger. It feels dangerous to express it. I'm supposed to swallow it. In our culture we are admonished always to get past it, move on, it's bad for you to have bad thoughts, all you can control is yourself. Which is true, I don't really disagree with any of those thoughts. But they also have an effect of censoring the self, as though one is supposed to put up with all kinds of really bad stuff, stuff that even if it isn't strictly illegal certainly isn't ethical. The game is rigged to protect the vampires - they run rampant and free, and it's the victims, sacrificial lambs, girls, scapegoats, whistleblowers, truth tellers, and others on the receiving end - they're the ones who have the hard time.

I know I'm totally babbling and rambling here. But if one can't vent in a blog, without being perfectly perfectionist about it - well then where? Some people have been complaining about who won this year's Nobel Prize in Literature. Even I can't remember her name right off hand, the Romanian-born German woman writing of life under totalitarianism. In a dictatorship there are official censors and draconian punishments for speaking the truth.

Here we're in a "democracy" and I find it hard to speak the truth. Everything's supposed to have a big smiley-face on it. It tends to shut one up. "Smile," sometimes complete strangers have had the chutzpah to say to me. Well, I don't feel like smiling like an idiotic troll all the time.

Michael Moore is a great documentarian and perhaps there should be a Nobel Prize for that (perhaps it's time for the definition of "literature" to be expanded). But I think that many of us in our culture have lost the ability to express ourselves, to speak, if not Truth to Power, then the Truth about Power.

Moore pointed out that the Right has harnesssed the anger of its base - hence the mob scenes at the congressional "town hall" meetings this summer.

I guess what others of us have to do is keep exposing the soulsucking vampires every chance we get. It's hard though - that self-censorship thing again - they are the system, you're not supposed to buck it.

Sometimes I do feel like this image of Alice, when I think of certain memories. My first-boyfriend vampire lived in house like that; we used to go to his attic. His parents never went up there. They were very Victorian that way, all these secret spaces. They let him do whatever he wanted. I think they did know. I wasn't his first girlfriend.

Everything is fractal in nature, patterns everywhere. Animals in camouflage. Predators, victims. My cat Claire killed 4 mice the other day. I stepped out to hang laundry and suddenly everywhere I stepped was a dead mouse. Total nightmare. Only Claire, my cat - she doesn't have free will. Vampires do.

This post is a mess. But maybe that's a first step in self-expression. Just get it out there, even if it's unpolished and messy and angry and not full of love.

Monday, October 5, 2009

Ask Me If I Believe In Vampires

On my walk today in the wild, romantic landscape, I wondered how I would react if I were to see, at the far end of a lonely path, in the middle of the woods, at the edge of a ravine, at the top of a leafstrewn hill, or around a corner as I came around obscuring vegetation, a tall, gaunt figure, face shrouded, garbed in a sweeping black cape. I imagined him appearing suddenly as I lift my gaze. He stands motionless, regarding me. He has been waiting. I fair gave myself the creeps I did, imagining this as I briskly took my exercise. My imagination merged images of the hooded figure of Death from Bergman's The Seventh Seal, the cloaked figure of the Five of Cups tarot card, and most especially, the iconic apparition of the attenuated, crepuscular vampire.

On some level I believe that vampires exist, though not in the form of the gothicized vision I just described. Nor do I necessarily believe that vampires are literally dead and that they repast on actual human blood, preferably that of a nubile maiden, that is, a female at the not-yet-grown-up nymph stage when girls are metamorphosing into women, and possess at once childish attributes and a maturing womanly form.

I heard Jude Law on Charlie Rose today, discussing his current stage role as Hamlet. Is Hamlet crazy, or is it that he sees the truth? In this world it seems that most of us aren't meant to see the truth. People who lie, cover up, obfuscate, conceal themselves, use cunning, are predatory - they especially don't want their truth to be revealed, seen, noticed, or understood.

In the last week or two there's been much talk of Roman Polanski and David Letterman. I find it hard to get exercised over Polanski, in particular, given that his transgression occurred so very long ago at a place & time (Hollywood, during the sexual revolution) where mores were decidedly more freewheeling than today. Was his behavior unseemly and illegal? Yes. But I believe that there is a range of extenuating circumstances in that particular case, and being a forgiving sort (perhaps overly so) I am inclined to bestow upon him my own personal executive pardon. David Letterman? Again, I can't get too excited, although I do think that someone in his position should have done better than to hit on staffers. Couldn't he date pretty much whoever he wanted?

I don't know. My thoughts are muddled. I paraphrase a line by Vladimir Nabokov. What happens to Lolitas when they grow up?, Humbert Humbert, embarking on his narrative, rhetorically queries.

I was 16 when I had my first boyfriend. He was 23, graduated from an Ivy League school, and back home for a time. We hit it off, and I hit it off with his parents too. I had quite an education that year, apart from my A.P. classes in high school. The following fall he went off to a distant part of the country for graduate school, easing me out of his life, and that was that. I was devastated. In time I got over it, attended college, graduated, worked at various jobs, and eventually married.

Over 30 years went by. Last year he contacted me to let me know that his mother had recently died, and we struck up a correspondence. We exchanged letters and emails, and he sent me beautiful photographic images of me, and of me and him together, that he had kept in his possession all these years. He wrote that he had never forgotten about me, that thoughts of me had remained an obsession, and that I had always been an ideal for him. I truthfully said that I had had a hard time getting over him at first, but that once I did I had quite forcibly put him out of my mind and had not thought of him much at all.

Rekindling this relationship, now long-distance and epistolary, woke something in me that had been long, long dead or dormant. It was a joy to see these lovely images of myself as a young woman, and to read his ardent words. I was flattered, and it's not inaccurate to say that I went off the deep end. My passions were stirred.

I'll cut to the punch. He once again lost interest while my emotions were at high ebb, adulterously so now. I bitterly and sardonically thought of myself as the Emma Bovary of Hudson. He never bothered to write or say, hey, it was fun getting back in touch but you know, this just isn't working for me. Instead, he continued to string me along, for months. He came back east with his family for a memorial service for his mother, and I hoped that at the very least - despite whatever awkwardness there might be in briefly breaking away from his family - we might meet. "You might consider floating a version of the truth to your wife-, I suggested, "that you would like to meet an old friend for lunch whom you haven't seen in 30 years, and that you'll catch up with her in a few hours." But he couldn't get it up to see me.

Once again, I was devastated. I feel pretty stupid saying so, being 50 and all. Old Enough To Know Better.

We ceased corresponding on New Years - that was my resolution. But I couldn't stop thinking about him. Not so much him as, what had just happened? Why were things so confusing, dead for a while, stirred up, discarded?

A few weeks ago I penned him a note saying that my feelings might not be a crystal brook exactly, but that they had settled, and that whatever all had happened, ultimately I would regard it as a disappointment if we didn't see each other just once, someday, before either of us departs this mortal coil.

I've typed his name into search engines now and again, and recently discovered online a brief account of an extended trip he took as part of a professional team this summer. The writeup was illustrated with a handful of thumbnail photos, each credited individually. The images were largely uninteresting, and he didn't seem to be in any of them. There were a couple of bland shots of members of the team in the field. One included a couple of people at work in the middle distance, seemingly absorbed in their respective tasks. I looked at the image a few times and thought nothing of it. His name was on the photo credit, I assumed he took the picture, and I didn't recognize him among the tiny figures in the landscape.

One day I took another look at the site, reread the piece, and looked at the photos again. The group shot appeared as bland and uninformative as ever. But by a very strange stroke of kismet (I may have accidentally hit something though I'm not aware of it) the image of its own accord spontaneously enlarged on my screen, revealing now a salient, magnified aspect that I had never noticed before. I examined the image closely in all its new detail, and felt a shock of horror.

He appears at the bottom left corner, partially cutoff as if he's in the photo only by chance. He is on all fours, angled away from the camera in a show of vigorous concentration on his work. Standing a few steps away, in direct line of his male gaze (though he isn't at that moment looking up at her), is a young woman (probably of legal age - so no need to go there), who - whatever else - is in exuberant mid-process of transitioning between girlhood and womanhood. Her impish persona fairly radiates female energy. She raptly examines some object in her hands, her hair is in pigtails, her close-fitting sweater and jeans contain her full physique - at once mature curves and baby fat - and she wears jaunty, tight knee-high boots like a girl's galoshes. How'd he find her?, I wonder. The physical resemblance is unmistakeable, her facial profile, body type, the length and color of her hair; as well too, her air of intelligence, innocence, and wonder. She reminds me of me when I was at that age.

I realize once and for all: He Was Never That Into Me. I was never a person for him in my own right. I was a fixation for him, an eroticized ideal, one he never forgot, one that he replicates over and over, every chance he gets. And sneak that he is, he even manages to cryptically, in public fashion, exhibit his current fetishistic object of desire online, hidden in plain sight, "purloined letter" style, further heightening, I imagine, his febrile delectation.

He responded to my letter. I received the envelope on Saturday. My husband, who understandably despises every molecule having anything to do with him, death-marched up the stairs to hand it to me. I knew from his trudge what he must be carrying.

In it he set forth in his even hand that in actuality he had lost all romantic interest in me within the first few weeks of our correspondence, though it went on for months longer. (I haven't gone back to obsessively check, but I surmise that he lost interest the moment he looked at updated photographic images of me that I had mailed to him. No - I hadn't been cryogenically frozen at age 16.)

"I lied to you only once," he continued in torpid fashion. "This was when I was making an excuse for not being able to meet you in New York... The reason I gave was legitimate - it would have been awkward because I was doing things with my family every day - but what I concealed was the fact that I was no longer comfortable seeing you at that point."

He added with bland temporization, "I would like to see you again at some point, and perhaps more importantly... I wouldn't want not to see you again sometime."

With that tautology dispensed, he duly withdrew his cadaverous hand and removed to the airless crypt from whence he came.

At this point do I ever want to see him again?

No.

And so, dear Reader, ask me if I believe in vampires.

The answer is yes.





P.S. This post - and all others on my blog - is copyrighted, all rights reserved. It's a timeworn theme, but this iteration is my story.

P.S.2. I'm aware of the forthcoming film, An Education, which treats of a similar theme. I look forward to seeing it.